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In 2024, in the quiet but cinematic backdrop of Clinton, Mississippi we had the opportunity to help bring a gripping new thriller to life. Neglected is the kind of film that thrives on urgency, tension, and momentum—and for our team at Drone Gear Productions, that meant pushing aerial cinematography to its limits.

As lead drone pilot, Alex Kavanagh oversaw all aerial work on the film, collaborating closely with director David Lipper and director of photography Duncan Johnson, who operated the drone camera during some of the film’s most technically ambitious shots. Together, we approached the aerial sequences not as traditional cutaway visuals—but as integral storytelling devices.


A Thriller Built on Urgency

At its core, Neglected is a race-against-time thriller. Josh Duhamel plays Det. Shaw, a veteran cop on the verge of retirement whose final day spirals into chaos when he’s confronted by a serial killer. Dylan Sprouse portrays “The Kid,” a chilling antagonist who forces Shaw into a deadly game—solve a series of murders before his kidnapped son runs out of time. The film also features actress Elena Sanchez as Detective Keyes, adding further depth and tension to the story.

Directed by David Lipper—who co-wrote the film with Nicholas Ferwerda and Adam G. Levine—Neglected blends emotional stakes with relentless pacing, delivering a tightly wound thriller driven by urgency and high-stakes performances.



Designing One-Take Drone Shots

One of the most exciting challenges on Neglected was executing extended, one-take style sequences that feel more like a never ending technocrane than a drone.

There are several standout moments—particularly when Duhamel’s character is running through high-stakes environments, or when Sprouse is moving dynamically through scenes—where the camera never seems to cut. These shots required precise coordination between pilot and operator, flying the DJI Inspire 3 dual-operator setup with a 75mm lens, which is no small feat on a moving platform.


The goal was simple: Make the audience forget it’s a drone.

Instead, the camera glides, rises, tracks, and pivots with a cinematic weight that mimics large-scale crane systems—while retaining the flexibility and speed only aerial systems can provide.


These sequences demanded:

  • Long, uninterrupted flight paths

  • Tight navigation through complex environments

  • Perfect timing with actor blocking and pacing

  • Seamless communication between pilot and camera operator

What you see on screen are fluid, tension-filled shots that feel grounded—but are anything but.


Collaboration on Set

Working alongside David Lipper was once again a fantastic experience. Neglected marked our second feature film together, following Crescent City. David brings a clear vision and an actor’s instinct to his directing, which creates a collaborative environment where technical teams can really elevate the storytelling.

Having Duncan Johnson operating the drone camera allowed us to push even further creatively. With a seasoned DP controlling the frame, we could treat the drone like a true cinema camera in motion—crafting shots that weren’t just functional, but expressive.

One of the biggest advantages we brought to set was our ability to consistently nail these long, dual-operator one-take shots in a single pass. That kind of execution comes from experience—understanding the shot ahead of time, pre-visualizing movement, and having total trust between pilot and operator. Because of that preparation, we were able to move quickly and efficiently on location, capturing complex sequences without multiple resets and keeping production momentum high.



Aerials That Serve the Story

In a thriller like Neglected, every second counts. The aerial cinematography wasn’t about spectacle for its own sake—it was about:

  • Building tension

  • Maintaining pace

  • Immersing the audience in the chase

  • Enhancing the emotional stakes of a father racing against time

By blending long-lens compression, fluid movement, and continuous takes, we were able to create visuals that heighten the story without pulling viewers out of it.


Final Thoughts

Projects like Neglected represent where drone cinematography is headed—beyond simple establishing shots and into the realm of primary camera movement. When done right, the line between drone, crane, and handheld disappears entirely.

We’re incredibly proud of what was achieved on this film and grateful to have collaborated with such a talented cast and crew.


Neglected hits theaters on May 8, 2026—and when it does, keep an eye on the camera. Some of the most intense moments in the film aren’t just happening on the ground… they’re unfolding in the air.


 
 
 

G’day everyone – Alex Kavanagh here, Creative Director and Chief Pilot at DroneGear Productions.

It’s been a minute since I’ve posted an update, but I wanted to spotlight some recent work we completed on the feature film Crescent City, a project that really showcased what we love doing: capturing cinematic aerials that elevate storytelling.

As some of you may know, I moved from Los Angeles to Little Rock, Arkansas five years ago with my wife and family. My business partner, Matt Feige, remains in LA, continuing to steer the ship from the world’s filmmaking capital, while I’m proud to now call Arkansas home.


About the Film

Crescent City is a murder mystery thriller about a serial killer terrorizing a small Southern town. Filmed in Little Rock, Arkansas and features a powerhouse cast including Terrence Howard, Esai Morales, Nicky Whelan, and Alec Baldwin. The film was directed by R.J. Collins and produced by: David Lipper, Eduard Osipov, Denise Loren, Robert A. Daly Jr., Vince Jolivette. Production companies involved included Latigo Films, Beno Films, Filmopoly, Grindstone Entertainment Group, and The Exchange.



Our Role

DroneGear Productions was brought on to film all aerial cinematography. I flew the drone while working closely with Director of Photography Alex Salahi, who operated the camera, and Second Unit Director Lauren Shaw, who oversaw all second unit work and vehicle chase scenes.


Why Arkansas Was the Perfect Location

Shooting in Little Rock was a refreshing contrast to the challenges of drone work in major metro areas. In cities like Los Angeles, it can take up to 30 days to secure drone permits due to regulatory red tape. But in Arkansas? It was fast, efficient, and collaborative.

A perfect example: For one of the film’s opening sequences, the director wanted a dramatic shot of the main vehicle crossing Broadway Bridge, with the drone flying underneath the steel arches in pursuit. Arkansas Film Commissioner Christopher Crane, who was on set that day, didn’t hesitate. With two Little Rock Police Department officers already on standby, the bridge was safely locked off within minutes.

I submitted a quick LAANC (Low Altitude Authorization) request through the Aloft app and received instant approval, as we were flying below 100 feet within Bill and Hillary Clinton National Airport airspace.

From the moment the director made the request to the time we captured the final take, less than an hour had passed. Two passes. One beautiful shot. On to the next location.

This kind of speed and support is what makes Arkansas such an attractive place for filmmakers. There’s less red tape, lower costs, and more creative flexibility, without compromising safety or professionalism.


Gear Breakdown

For this production, we flew the DJI Inspire 3 X9 drone with a range of lenses including 24mm, 35mm, 50mm, and 75mm focal lengths to match the cinematic look the director and DOP envisioned.

To ensure proper exposure during daytime scenes while maintaining full creative control over depth of field, we used the Tiffen NATural Cinema ND Filter line—a critical tool that allowed us to hit our exposure targets without compromising the shot.

Special thanks to The Tiffen Company for their continued support and sponsorship. We’ve relied on their tools for years, and they continue to deliver every time.


Streaming Now

You can now stream Crescent City on HBO Max, Amazon Prime Video, Apple TV, and Tubi. Keep an eye out for those sweeping aerials filmed right here in Arkansas by the DroneGear team.


Working on Crescent City was an absolute pleasure, and we’re proud to have played a small part in the movie and showcase what Arkansas has to offer. From natural beauty to logistical ease, this state is ready for more productions like this—and DroneGear Productions is ready to fly.

Cheers,

Alex Kavanagh

Creative Director & Chief Pilot

 
 
 

Updated: Nov 7, 2023

G'day everyone,

Alex Kavanagh here, the founder and creative director at DRONEGEAR Productions. It's been a while since I've last written a blog post, but I'm thrilled to be back to share some incredible news with you all.

Earlier this year, we had the privilege of winning our first daytime Emmy Award for a short episode on Patagonia we produced. This episode was shot and edited for Making It Media, and it was featured in the series "Wonderful Places" on Amazon Prime Video. The journey to this achievement was both challenging and rewarding, and I'd like to share the story behind it with you.



In the midst of the COVID-19 pandemic in 2020, a remarkable opportunity came our way. Director Robert Parks-Valletta was on the hunt for nine filmmakers, each tasked with creating an episode about a destination that held a special place in their hearts. Our task was to weave a short story using pre-pandemic footage we had in our archives. After a conversation with Robert and his team, I knew that Patagonia was the ideal destination for my episode, having visited it twice in the previous two years.

With newfound determination, I delved into my hard drives, fired up Premiere Pro, and began the laborious yet passionate journey of creating this episode. None of this would have been possible without the incredible work of my dear friend and director of photography, Hugo Bordes, who captured the essence of these locations in a raw and cinematic manner back in 2018. Hugo, thank you for your invaluable contribution.



During my second trip to Chile and Argentine Patagonia, I was granted access to a private property just outside Torres del Paine National Park, thanks to my then-girlfriend and now wife, Lesley Murphy, a travel writer at The Road Les Traveled. This property was none other than the breathtaking Tierra Hotels Patagonia. The hotel manager generously allowed me to legally fly my drone here, which led to the shot that defined this episode.

On a particularly windy day, with gusts reaching 50-60mph, I had almost given up on flying my drone after a long day inside Torres del Paine National Park, where drone usage requires a permit. However, as we arrived at Tierra Patagonia, something extraordinary happened. Lesley's friend, Emily, spotted a single guanaco perched on a small grassy knoll. Miraculously, the wind seemed to calm instantly, and the sun emerged from behind the clouds, casting its golden light on the breathtaking Torres del Paine.


I swiftly set up my drone, and as I approached the single guanaco, it quickly noticed the drone and started to walk away. But as I raised the drone higher, an astonishing sight unfolded. Twenty more guanacos appeared just 40 feet away. With a safe distance of 70 feet, I tracked the herd of guanacos as they began running in formation. I slowly flew from right to left, capturing one of the most awe-inspiring drone shots I've ever seen. It wasn't just the guanacos' mesmerizing run; it was the entire scene: Torres del Paine's majestic mountains in the background, the sun setting, and the light filtering through the patchy clouds, with a tranquil lake in the foreground behind the galloping guanacos.


In that moment, tears of joy welled up as I witnessed this breathtaking spectacle. It was an

emotional high, a singular experience that I will cherish for a lifetime. The beauty of that fleeting moment was captured and preserved for all to witness, and I'm grateful to have had the privilege of recording it legally.

Flying drones overseas can be a daunting task due to strict local laws, especially in places like national parks where permits are notoriously hard to obtain. It's essential that we respect these laws to protect these extraordinary locations. I felt privileged to capture a moment of such remarkable beauty while adhering to the rules and regulations.

This is the story behind the Emmy Award-winning episode that we produced, shedding light on the challenges faced by drone pilots and the beauty of being ready when the moment unfolds. You can watch our full "Wonderful Places" episode on our Instagram account through this text link.

If there's one thing this episode motivates you to do, it's to embark on a journey to Patagonia. Leave your phone behind, immerse yourself in the beauty of one of the numerous National Parks, and as the day comes to a close, savor an El Calafate beer while you witness the mesmerizing sunset


Thank you for stopping by and reading the story of our Emmy Award-winning achievement. Stay tuned for more blog posts, where we'll be sharing exciting productions we've been working on recently.

Cheers, Alex Kavanagh

 
 
 
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